METHODOLOGICAL FOUNDATIONS OF THE STUDY OF CONTEMPORARY THEATER AND DECORATION ART
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Published:
Oct 25, 2022
Abstract
Formation of a complex of methods of scientific knowledge of the phenomen on of art of artistic design of theater performances in order to identify scientifically grounded ways to improve scenography and increase the theoretical and methodological level of scenographic creativity of professional training of theater and artistic personnel. From the point of view of the methodology, the analysis of the art of contemporary stage has become complex and relies on philosophical, aesthetic, art, cultural, sociopsychological and historical approaches in combination with applied theatrical science. Among the methods of analysis, the leading place in the study of transformational problems of the stage is given to the system-structural method. From this point of view, the scenography can be considered as a figurative-plastic system consisting of certain artistic elements (fine arts, design architecture, costume architecture, design, etc.), and at the artistic and synthetic level as a subsystem of the general system of theatrical art, which is in relation to the scenography by the context and source of artistic influences that determine the forms and content of theatrical and decorative creativity.
How to Cite
Alisher, A. (2022). METHODOLOGICAL FOUNDATIONS OF THE STUDY OF CONTEMPORARY THEATER AND DECORATION ART. Baltic Journal of Legal and Social Sciences, (2), 7-11. https://doi.org/10.30525/2592-8813-2022-2-1
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Keywords
art history, theory, methodology, scenography, theatrical art, theater studies.
References
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18. Gromov, N. (1992). Periodizaciya i tipologiya teatral'no-dekoracionnogo iskusstva. Kriticheskij analiz literaturyu Hudozhnik sceny. Problemy obucheniya professii. [Periodization and typology of theatrical and decorative art. Critical Analysis of Literature Stage Artist. Problems of training a profession]. SPb, SPGITMiK. 45-60. (in Russian).
19. Drak, A. (1961). Ukraїns'ke teatral'no-dekoracіjne mistectvo. [Ukrainian theatrical and decorative art]. K.: Art. 64. (in Ukrainian).
20. Журавльова, Л. (2007). Psihologіya empatії. [Psychology of empathy]. Monografіya. Zhitomir : Vid-vo ZHDU іm. І. Franka, 2007. 328. (in Ukrainian).
21. Zingerman, B. (1983). K probleme prostranstva v p'esah Chekhova (Turgenev, Chekhov, Pasternak). Voprosy teatra-82. [On the problem of space in Chekhov's plays (Turgenev, Chekhov, Pasternak) Theater questions-82]. M. : 210–248. (in Russian).
22. Zubov, A. (2004). Scenografiya uchebnogo spektaklya. Iskusstvo i iskusstvovedenie: Teoriya i opyt. Teatral'noe prostranstvo Sibiri. [Scenography of the educational performance. Art and art history: Theory and experience. Theatrical space of Siberia]. Vyp. 3. Kemerovo: KGUKiI, 268–274. (in Russian).
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24. Kaiser, G. (1977). Principy analiza scenicheskogo oformleniya (Na materiale dramaticheskih spektaklej na sovetskoj scene 60-70-h godov). [Principles of Stage Design Analysis (Based on Dramatic Performances on the Soviet Stage of the 60s and 70s)]. Avtoref. Dis. kand. iskusstvovedeniya. L., 24. (in Russian).
25. Klekovkin, O. (2017). Mistectvo: Metodologіya doslіdzhennya: metod. posіb. [Art: Research methodology: method. Way]. K.: Fenіks, 144. (in Ukrainian).
26. Klekovkin, O. (2013). Teatr pri stoliku. Metodologіya teatroznavstva: Podorozhnіj shchodennik. [Theater at the table. Methodology of Theater Studies: Travel Diary]. K.: Fenіks, 432. (in Ukrainian).
27. Klekovkin, O. (2017). Reaktualіzacіya teatroznavstva. Mistectvo, іstorії, suchasnіst'. [Reactualization of theater studies. CITY: Art, history, modernity]. Vip. 12-13. 130–149. (in Ukrainian).
28. Klimenko, V. (2006). Psihologіya tvorchostі: navchal'nij posіbnik dlya vuzіv. [Psychology of creativity: a textbook for universities]. Kiїv: Centr navchal'noi lіteraturi. 480. (in Ukrainian).
29. Kovalchuk, O. (2006). Hudozhniki ukrains'kogo teatru 1950–1980- h rokіv: obraznі poshuki u chasovomu kontekstі. Narisi z іstorіi teatral'nogo mistectva Ukraini XX st. [Artists of the Ukrainian theater of 1950-1980s: figurative searches in a temporal context. Essays on the history of theatrical art of Ukraine in the XX century. Іnstitut problem suchasnogo mistectva AkademіI mistectv Ukraini; redkol.: V. Sidorenko (golova) ta іn.. K. : Intertechnology. 1054. (in Ukrainian).
30. Kozlinsky, V. Frese, E. (1975). Rezhiser i hudozhnik. Hudozhnik i teatr. [Director and artist. Artist and theater]. M. : Soviet artist. 98–104. (in Russian).
31. Krivtsun, O. (1996). Lichnost' hudozhnika kak predmet psihologicheskogo analiza. [The personality of the artist as a subject of psychological analysis]. Psychological journal. T. 17. No. 2. 99–109. (in Russian).
32. Lider, D. (1981). Razmyshleniya hudozhnika. Sovetskie hudozhniki teatra i kino’ 79. [Reflections of the artist. Soviet theater and film artists' 79]. M. : Soviet artist. 323. (in Ukrainian).
33. Mikhailova, A. (1989). Scenografiya: teoriya i opyt. [Scenography: theory and experience]. M. : Soviet artist. 336. (in Russian).
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