UKRAINIAN IDENTITY OF FOLK ROOTS AS CONVERGENCE OF MUSICAL SPACE OF XX–XXI CENTURY (ON THE EXAMPLE OF WORKS OF UKRAINIAN MUSICOLOGISTS AND COMPOSERS M. SKORULSKY AND Y. ISHCHENKO)

Abstract

The instrumental work of Ukrainian music is determined by a wide genre vector of diversity and wealth of creative progression and interests. This is an attraction to the classical support, where the structures and personal explanation of the feeling in music acquire a deep interpretation, contributing to the source topics as a kind of instruction, this is a modern vision of musical interpretations, sometimes not understood by society. The purpose of the research is to substantiate the role of Ukrainian identity as a paradigm of meaning in music on the material of creativity of Ukrainian composers M. Skorulsky and Y. Ishchenko. The tasks caused by achieving the goal structure the presentation from historiographic and cultural-creative to analytical (executive and composer) aspects of research, to systematize scientific and creative sources regarding Ukrainian identity and folk one-time beginning, as a phenomenon of composer’s creativity of Ukrainian musical creativity and development, cognition at the present stage. The scientific novelty of the results of the research is to substantiate the genre-style dynamics of Ukrainian music, to reveal its spirituality and identity on the examples of little studied and analyzed works of Ukrainian composers. The choice of two Ukrainian composers who worked at different times is due to the desire to identify and analyze various creative approaches to the genre and the specifics of using folklore sources. It should be noted that this approach to the analysis of selected works – comparing different versions and identifying the national foundation – has not yet received sufficient theoretical coverage in national music science. Therefore, the appeal to this issue is quite relevant and determines the scientific novelty of the work.