GENRE-STYLE INNOVATIONS IN THE OEUVRE OF MODERN UKRAINIAN COMPOSERS
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Published:
Jan 2, 2023
Abstract
The article is devoted to the genre and style features of contemporary oeuvre of Ukrainian composers. It was determined that genre and style, which are closely interrelated, is the representation of the author’s individuality. It is emphasized that it is impossible to characterize the work of artists without understanding the specified categories. Therefore, the reference to the categories of genre and style is not accidental. The analysis of the oeuvre by O. Kozarenko, L. Dychko, L. Kolobud, and Ye. Stankovych allows us to conclude about the inherent features of contemporary Ukrainian musical art, namely: the synthesis of genres, in particular, a symphony and a concerto, the introduction of elements of choreography into the symphony genre, and the resort to various style directions, including musical models of the baroque, new folk wave, and jazz intonations. The mentioned features are successfully combined with modern compositional techniques, such as serial technique, aleatoric music, and sonorism.
How to Cite
Mozgalova, N., & Novosadova, A. (2023). GENRE-STYLE INNOVATIONS IN THE OEUVRE OF MODERN UKRAINIAN COMPOSERS. Baltic Journal of Legal and Social Sciences, (4), 56-63. https://doi.org/10.30525/2592-8813-2022-4-7
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Keywords
genre, style, symphony, chamber symphony, concerto, neo-folklorism
References
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2. Berehova, O. M.(2015). Osoblyvosti kompozytorskoho styliu Ivana Karabytsia v konteksti ukrainskoi kultury (Peculiarities of Ivan's compositional style Karabytsa in the context of Ukrainian culture). Chasopys Natsionalnoi muzychnoi akademii Ukrainy imeni P. I. Chaikovskoho, 2. S. 46–61. (in Ukrainian).
2. Dovhalenko, N.S. (2015). Ukrainska suchasna muzyka. Portrety i landshafty (Ukrainian modern music. Portraits and landscapes). Odesa: Druk Pivden. 236 s. (in Ukrainian).
3. Herasymova-Persydska, N.O. (1998). Nove v muzychnomu khronotopi kintsia tysiacholittia (New in the musical chronotope of the end of the millennium). Ukrainske muzykoznavstvo, 28, 32–39. (in Ukrainian).
4. Hurkova, O.M. (2016). Tvorchist I. Karabytsiia v konteksti zhanrovo-stylovykh tendentsii v ukrainskii muzytsi ostannoi trytyny KhKh stolittia (Creativity of I. Karabytsia in the context of genre and style trends in Ukrainian music of the last third of the 20th century). Retrieved from: https://docplayer.net/70484859-Tvorchist-i-karabicya-v-konteksti-zhanrovo-stilovih-tendenciy-v-ukrayinskiy-muzici-ostannoyi-tretini-hh-stolittya.html
5. Kyianovska, L.О. (2007). Halytska muzychna kultura KhIKh-KhKh st. (Galician musical culture of the 19th-20th centurie): navchalnyi posibnyk. Chernivtsi. 424 s. (in Ukrainian).
6. Kozarenko, O.V (2000). Fenomen ukrainskoi natsionalnoi muzychnoi movy (Phenomenon of the Ukrainian national musical language). Lviv. 284 s. [in Ukrainian].
7. Korobetska, S. V. Zhanrovo-stylovyi syntez yak oznaka suchasnoi vitchyznianoi orkestrovoi muzyky (Genre-style synthesis as a feature of modern domestic orchestral music). Retrieved from: h t t p : / / e n p u i r. n p u . e d u . u a / b i t s t r e a m / h a n d l e / 1 2 3 4 5 6 7 8 9 / 4 7 4 5 / K o r o b e t s k a .pdf?sequence=1&isAllowed=y
8. Kokhanyk, I.M. (2002). Muzychnyi tvir: vzaiemodiia stabilnoho i mobilnoho v aspekti styliu (Musical composition: the interaction of stable and mobile in the aspect of style). Naukovyi visnyk Natsionalnoi muzychnoi akademii Ukrainy im. P. I. Chaikovskoho. Kyiv. Vyp. 20. S. 44–51. (in Ukrainian).
9. Kozarenko, O. V. (2001). Ukrainska natsionalna muzychna mova: geneza ta suchasni tendentsii rozvytku (Ukrainian national musical language: genesis and modern development trends). Natsionalna muzychna akademiia Ukrainy im. P. I. Chaikovskoho. 23 s.
9. Lihus, O.M. (2016). Teoretychni aspekty spivvidnoshennia muzychnoho styliu i zhanru (Theoretical aspects of the relationship between musical style and genre). Visnyk KNUKIM, 35, 129–137. (in Ukrainian).
10. Moskalenko, V.Н. Lectures on musical interpretation (Lectures on musical interpretation). Retrieved from: https://knmau.com.ua/wp-content/uploads/V.-Moskalenko-Lektsiyi-z-muzichnoyi-interpretatsiyi-Navchalnij-posibnik.pdf
11. Samoilenko, A. І. (2004). Styl yak muzychno-kulturna katehoriia u svitli teorii dialohu M. Bakhtina (Style as a musical and cultural category in the light of M. Bakhtin's dialogue theory). Kyiv, 37, 3–13. (in Ukrainian).
12. Siuta, B.О. (2006). Muzychna tvorchist 1970–1990-kh rokiv: Parametry khudozhnoi tsilisnosti (Musical creativity of the 1970s–1990s). Kyiv, 255 s.
13. Tyshko, S.V. (1993). Problema natsyonalnoho stylia v russkoi opere. Hlynka. Musorhskyi. Rymskyi-Korsakov (The problem of national style in Russian opera. Clay Mussorgsky. Rimsky-Korsakov). Kyev, Muzynform, 120 s. (in Russian)
14. Tukova, Y.Н. (2004). O poniatyy «zhanrovыi styl» (On the concept of "genre style"). Ukraine named after P. I. Tchaikovsky. Nauch. vestn. Nats. muz. akad. Ukraynы ymeny P. Y. Chaikovskoho, 38, 27–33.
15. Shyp, S. V. (1998). Muzychna forma vid zvuku do styliu (Musical form from sound to style: a study guide): navchalnyi posibnyk. Kyiv, Zapovit, 368 s. (in Ukrainian).