Chapters

• UNIVERSAL CREATIVE PERSONALITY AS A SOCIO-CULTURAL PHENOMENON
  Yu. O. Moskvichova
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• THE CHAMBER-INSTRUMENTAL CREATIVITY OF KARL CZERNY AS A TRANSITION STAGE BETWEEN CLASSICISM AND ROMANTICISM
  I. V. Povodator
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• ETHNIC AND NATIONAL IDENTITY IN THE CONTEXT OF COLLECTIVE CULTURAL CREATION
  N. М. Stoliarchuk
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• HARRY POTTER AND THE EXTINCTION OF LANGUAGES
  I. М. Rassokha
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• TRANSFORMATION OF THE FEMALE IMAGE IN ART
  M. V. Zaitseva, Yu. Yu. Nebesnik, U. M. Maraieva
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• KHARKIV UNION OF ARTISTS OF UKRAINE IN THE CONDITIONS OF THE RUSSIAN-UKRAINIAN WAR (2022–2024)
  A. Yu. Kornev
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• “SO WHAT DO YOU SEE?” PROJECT FINDINGS. VISUAL ART IN RECONCILIATION IN UKRAINE
  O. О. Herashchenko
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• IMMERSIVE INTERACTIVE STORYTELLING: THE ROLE OF THE CINEMATIC APPROACH
  O. A. Poberailo
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• HYPERTEXTUALITY IN THE DISCOURSE OF UKRAINIAN MEDIA OPERA
  Yu. О. Hribinienko
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• THE ESSENCE OF SOCIOCULTURAL ACTIVITY IN THE CONTEXT OF GLOBALIZATION PROCESSES
  S. V. Kulikova
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• ACTIVATION OF THE MUSICAL MIND OF HIGHER EDUCATION IN THE PROCESS OF FACULTY PREPARATION OF UPCOMING GRADUATES OF THE DISCIPLINES OF MYSTICAL DIRECTIVITY
  I. V. Mazur
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• TO THE PROBLEM OF NATIONAL AND CULTURAL IDENTITY RESEARCH IN THE AGE OF GLOBALIZATION
  Z. A. Chegusova
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• AN INVITATION TO CREATIVITY
  O. Y. Boyko
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• SIGNIFICANT EVENTS OF THE ANCIENT HISTORY OF THE PECHERSK MONASTERY IN ITS GREAT CHURCH PAINTING
  M. А. Bardik
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• ATTRIBUTION OF ORIENTAL CARPETS BASED ON THE PAINTINGS OF EUROPEAN ARTISTS OF THE RENAISSANCE AND BAROQUE ERAS
  U. M. Belnakita
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• DIANA OF EPHESUS AS ALLEGORY OF NATURE IN THE HIGH RENAISSANCE AND MANNERISM ART
  M. V. Rusiaieva
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• THE ROLE OF INCLUSIVE DESIGN IN THE MODERN WORLD
  O. О. Mosendz
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