Chapters

• LEADING TECHNOLOGIES OF FORMATION OF VOCAL AND PERFORMING CULTURE OF STUDENTS
  Larisa Anatoliivna Biryukova
  https://doi.org/10.30525/978-9934-26-301-9-1
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• FUTURE MUSICAL ART TEACHERS TRAINING BASED ON AN ARTISTIC-INTEGRATIVE APPROACH
  Olena Pavlivna Hlamazdina
  https://doi.org/10.30525/978-9934-26-301-9-2
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• MUSICOLOGICAL COMMISSION OF SHEVCHENKO SCIENTIFIC SOCIETY: EVENTS, PEOPLE, ACHIEVEMENTS
  Oksana Yevstafiivna Hnatyshyn
  https://doi.org/10.30525/978-9934-26-301-9-3
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• THE PHILOSOPHICAL UNDERSTANDING OF CHOREOGRAPHIC ART: PROBLEMS AND SCIENTIFIC DISCOURSE AT THE BEGINNING OF THE XXI CENTURY
  Yaroslava Volodymyrivna Hrytsenko
  https://doi.org/10.30525/978-9934-26-301-9-4
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• PSYCHOLOGICAL ASPECTS OF MUSICAL AND PERFORMANCE AESTHETICS
  Аndriy Ivanovych Dushniy, Vіtalіy Mykolaiovych Zaets, Oksana Petrivna Zaiets
  https://doi.org/10.30525/978-9934-26-301-9-5
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• THEORETICAL FOUNDATIONS OF THE STUDY OF THE CONCERT HALL AS A PERFORMANCE SPACE PHENOMENON
  Oleksii Oleksiyovych Koriakin
  https://doi.org/10.30525/978-9934-26-301-9-6
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• UKRAINIAN CULTURAL AND EDUCATIONAL DISCOURSE ON THE PROBLEM OF AESTHETIC EDUCATION OF PERSONALITY
  Andrii Mykhailovych Nykyforov, Olha Volodymyrivna Huley, Oksana Volodymyrivna Kapran
  https://doi.org/10.30525/978-9934-26-301-9-7
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• ORGANIZATION OF EXHIBITIONS OF CLOTHING COMPLEXES IN THE MODERN CULTURAL AND ARTISTIC SPACE. THE ROLE OF THE CURATOR DURING THE ORGANIZATION OF THE EXHIBITION
  Tamila Valentynivna Pedan
  https://doi.org/10.30525/978-9934-26-301-9-8
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• CHAMBER AND VOCAL WORK OF THE UKRAINIAN COMPOSER VITALY GUBARENKO
  Oleksandr Fedorovych Rudenko
  https://doi.org/10.30525/978-9934-26-301-9-9
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• PEDAGOGICAL PRACTICE IN SOLFEGGIO UNDER MARTIAL LAW IN UKRAINE: EXPERIENCE OF ORGANIZING AND CONDUCTING ONLINE CLASSES BY MUSICOLOGY STUDENTS IN GROUPS OF YOUNGER STUDENTS
  Oksana Volodymyrivna Serhiieva
  https://doi.org/10.30525/978-9934-26-301-9-10
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• BREATHING PROBLEM IN MUSIC PERFORMANCE
  Yelizaveta Volodymyrivna Sokolova
  https://doi.org/10.30525/978-9934-26-301-9-11
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• THE GENRE OF LACRIMOSA IN THE CONTEXT OF AUTHOR’S INTERPRETATIONS BY W. A. MOZART AND F. LISZT
  Oleksandr Oleksandrovych Stakhevych
  https://doi.org/10.30525/978-9934-26-301-9-12
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• DANCE ART OF CHINA: HISTORICAL AND THEORETICAL EXCURSION
  Iryna Oleksandrivna Tkachenko
  https://doi.org/10.30525/978-9934-26-301-9-13
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• TRAINING OF MUSICAL ART SPECIALISTS: METHODOLOGICAL SUPPORT
  Olena Anatoliivna Ustymenko-Kosorich, Olha Volodymyrivna Yeremenko
  https://doi.org/10.30525/978-9934-26-301-9-14
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• THEORETICAL FOUNDATIONS OF THE DEVELOPMENT OF INDEPENDENT ACTIVITY OF BEGINNER SINGERS IN THE PROCESS OF PROFESSIONAL TRAINING IN INSTITUTIONS OF HIGHER EDUCATION
  Nataliia Arkadiivna Folomieieva
  https://doi.org/10.30525/978-9934-26-301-9-15
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• PARTICIPATION OF ART STUDENTS IN CREATIVE COMPETITIONS AND PROJECTS AS A TOOL FOR DEVELOPING SOFT SKILLS (ON THE EXAMPLE OF THE EXPERIENCE OF THE DEPARTMENT OF FINE AND DECORATIVE ARTS OF RIVNE STATE UNIVERSITY OF THE HUMANITIES)
  Ruslana Mykolaivna Sheretiuk
  https://doi.org/10.30525/978-9934-26-301-9-16
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• CHILD’S СHOREOGRAPHIC EDUCATION IN THE SOCIO-CULTURAL SPACE OF THE TERRITORIAL COMMUNITY (VINNYTSKO-KHUTIRSKA, LUKA-MELESHKIVSKA ART SCHOOLS)
  Olena Mykolaіvna Yakymchuk
  https://doi.org/10.30525/978-9934-26-301-9-17
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