IDEAL AND CULT BASES OF CULTURAL ACTIONS AND ARTIFACTS: Monograph
Ideal and cult bases of cultural actions and artifacts : Monograph. Riga, Latvia : Baltija Publishing, 2025. 396 p.
This monograph provides a comprehensive overview of the accomplishments of the faculty members of the Department of Theoretical and Applied Cultural Studies, in conjunction with distinguished specialists from prominent Ukrainian universities with whom they have established collaborative relationships. The central idea of the monograph is the awareness of the ideal and religious beginnings of creative and organisational-structuring activity as an organic part of human activity. A significant aspect of the cultural conditionality of the latter is the attention given to cultures and artefacts, as well as organisational and systematic levers of cultural retransmission in society, musical factors of cultural and aesthetic activity, cult and religious stimuli of artistic discovery and typological indicators of artistic expression.
Chapters
-
CHAPTER 1. RELAYING UKRAINE’S CULTURAL ACHIEVEMENTS TO FOREIGN AUDIENCES: INSTITUTIONAL ASPECT (1917–2017)
-
1.1. Cultural diplomacy in society
-
1.2. Cultural diplomacy as an area of activity of the MFA of Ukraine
-
CHAPTER 2. MUSICAL COMPONENTS OF SYMBOLIST – PRO-SYMBOLIST POEMS, THEIR EMBODIMENT IN VOCAL MUSIC AS A WAY OF SACRALIZATION OF THE PRODUCT OF CREATIVITY
-
2.1. Symbolism as a phenomenon of art and music in it
-
2.2. Musical components of symbolist and pro-symbolist texts in the expressiveness of vocal music
-
CHAPTER 3. THE SACRED MEANING OF THE PRELUDE GENRE IN ITS HISTORICAL MODIFICATIONS
-
3.1. The prelude genre according to its theological and worldview indicators
-
3.2. Preludes by I. Karabyts in the embodiment of the ideas of Modern times
-
CHAPTER 4. METAPHYSICS OF MUSICALITY IN THE HISTORICAL EVENT CONTINUUM
-
4.1. Parallels between Europe and China from antiquity to the XX century
-
4.2. Identifying features of the Middle Ages and the Renaissance in Europe and China and their prolongation into the Modern and Contemporary Periods
-
CHAPTER 5. MUSICAL RECEPTION OF CHURCH PARALITURGICAL RITES: FROM ROMANTICISM TO POSTMODERNISM
-
5.1. The rite of the Way of the Cross and its genre model
-
5.2. The Rosary prayer: peculiarities of musical incarnations
-
CHAPTER 6. ABOUT THE SPIRITUAL FOUNDATIONS OF ROCOCO CULTURE, THEIR ANTICIPATION AND PARALLELS
-
6.1. Genesis and evolution of the Rococo cultural and artistic phenomenon
-
6.2. Rococo and Viennese Classicism
-
CHAPTER 7. THE CULTIC FOUNDATIONS OF KEYBOARD MOZARTIANISM IN ITS INFLUENCE ON THE MUSICAL MODERNITY OF UKRAINE
-
7.1. The sacred origins of keyboard music in their prolongations over the past two centuries
-
7.2. From romantic piano Mozartianism to multikeyboard artistry in the piano culture of contemporary Ukraine
-
CHAPTER 8. THE ROLE OF ANCIENT ROME AND GREECE IN THE CULTURAL AND SOCIAL SYSTEM OF VICTORIAN ENGLAND
-
8.1. The revival of Hellenism in Europe and Britain
-
8.2. From Rome to Britain: the trajectory of cultural heritage
-
8.3. Feminism as a social phenomenon of the Late Victorian Era
-
CHAPTER 9. KRAKOW, LVIV AND BRATISLAVA SCHOOLS OF MUSICOLOGY AS CENTERS OF THE SLAVIC WAY OF THINKING IN SCIENTIFIC AND ARTISTIC WORK
-
9.1. Organization of research work at the Institute of Musicology of the Jagiellonian University
-
9.2. Development of the tradition of the Institute of Musicology of Lviv University by modern Lviv musicologists
-
9.3. The history of musicological studies at Comenius University
-
CHAPTER 10. TRANSLATIONS OF PIANO SONATAS BY J. HAYDN FOR THE DOMRA IN THE ACTIVATION OF SACRED ELEMENTS OF THE VIENNESE STYLE CULTURE
-
10.1. Church foundations of sonatas
-
10.2. Piano Sonatas by J. Haydn (in the tonalities of D and B) in the emblematisation of the viennese style and its sacred expressive components
-
CHAPTER 11. MUSICAL AND INSTRUMENTAL REALITIES IN THE TREATISE “THE MUSICAL GRAMMAR” BY MYKOLA DYLETSKYI 1723: ETHNIC IDENTIFICATION OF MUSICAL INSTRUMENTS
-
11.1. Musical instruments in the M. Dyletskyi’s “The Musical Grammar” text
-
11.2. The images of musical instruments in “The Musical Grammar” of 1723: ethnicity identification
Doctor of Historical sciences, Professor
Doctor of Art History, Professor
Doctor of Art History, Professor of the Department of Theoretical and Applied Cultural Studies
Candidate of Art Studies, Associate Professor of the Department of Music and Choreographic Training
Doctor of Mystery Studies, Professor, Vice-Rector
Doctor of Art Criticism, Full Professor, Professor at the Department of Musical Art
Honored Worker of Culture of Ukraine, Doctor of Art Criticism, Professor, Head Department
Doctor of Art Criticism, Honored Artist of Ukraine Professor of the Special Piano Department, Head of the Piano-Theoretical Faculty
Doctor of Art Criticism, Professor of the Department of Theoretical and Applied Cultural Studies
The Candidate of Arts, Docent of the Department of Musicology and Methodology of Musical Art
People’s Artist of Ukraine, Professor, Candidate of Art History
Candidate of Art history, Senior Lecturer
Doctor of Art history, Prof